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BOEHM, C. (2017). Academia in Culture 3.0: a Crime story of Death and Rebirth (and Curation, Innovation and Sector Mash-ups). REPERTÓRIO: Teatro & Dança, Special Edition Bilingual Publication of academic journal REPERTÓRIO: Teatro & Dança - Expanded Practice and Curation as Creative Process. (16 pages, Journal Article) http://eprints.staffs.ac.uk/3185/
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BOEHM, C., LILJA-VIHERLAMPI, L., LINNOSSUO, O., MCLAUGHLIN, H., GOMEZ, E. et al. (2016). Contexts and Approaches to Multiprofessional Working in Arts and Social Care. EAPRIL Special Issue - Bridging professionalization and working life in context of responsiveness to change in society and the workplace. (16 pages, Journal Article) http://eprints.staffs.ac.uk/3181/
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WIGHAM, P. and BOEHM, C., (2016). Instrument Design and Mimetic Theory Current Issues in Music. (ISSN: 1447 – 7939. 8 pages, Journal Article) http://eprints.staffs.ac.uk/3182/
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BOEHM, C. (2016). Music Industry, Academia and the Public. In: Proceedings of the International Computer Music Conference. Ghent. (pp. 90 - 97. 9 pages)
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WIGHAM, P., BOEHM, C. (2016). Exploiting Mimetic Theory for Instrument Design. In: Proceedings of the International Computer Music Conference. Ghent, (6 pages)
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Boehm, C. (2016). Industry, Academia and the Public: a University Perspective by a Music Technologist. In Westminster Media Forum Vol. 19 May 2016. London.
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BOEHM, C. (2015). Triple Helix Partnerships for the Music Sector: Music Industry, Academia and the Public. In Hepworth-Sawyer, R. (Editor) KES Transactions on Innovation in Music 2015. Cambridge. (15 pages, Journal Article) http://eprints.staffs.ac.uk/3186/
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BOEHM, C. (2015). Engaged Universities, Mode 3 Knowledge Production & the Impact Agendas of the REF. The next steps for the Research Excellence Framework, London. Westminster Forum Briefings. Short position paper.
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BOEHM, C. (2014). A brittle discipline: Music Technology and Third Culture Thinking. In: E. HIMONOIDES and KING, A. eds., Researching Music, Education, Technology: Critical Insights. Proceedings of the Sempre MET2014: London: University of London, pp. p.51-55. ISBN 978-1-905351-29-9. (4 pages, Chapter)
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BOEHM, C. (2014). A brittle discipline: Music Technology and Third Culture Thinking. In: E. HIMONOIDES and KING, A. eds., Researching Music, Education, Technology: Critical Insights. Proceedings of the Sempre MET2014: London: University of London, ISBN 978-1-905351-29-9. (10 pages, Full conference article) http://eprints.staffs.ac.uk/3190/
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CLENNON, O., & BOEHM, C. (2014). Young musicians for heritage project: Can a music-based heritage project have a positive effect on well-being? Music Education Research, 16(3), (pp.307-329, 18 pages, doi:10.1080/14613808.2014.909395 Journal Article) http://eprints.staffs.ac.uk/3189/
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BOEHM, C., LINDEN, J., GIBSON, J. et alii (2014) Community, Identity and Locality: Sustainability & impact of university-housed, small-scale arts centres. A panel discussion. Online Proceedings of the European League of Institutes of Arts, Glasgow.
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WIGHAM, P. and BOEHM, C. (2011). The Baserbow: An Instrument based on the exploration of the concept of mimetic participation for the development of multi-modal and multi-gestural devices. In: Proceedings of the Seventh International Conference on Interdisciplinary Musicology (CIM11) Glasgow. (5 pages)
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CLENNON, O., BOEHM, C., Hamilton, H. (2012). Young Musicians for Heritage Project: Final Evaluation Report. Manchester: Manchester Metropolitan University. doi:10.13140/RG.2.1.5107.5045. (Project Report) http://eprints.staffs.ac.uk/3191/
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BOEHM, C., AINLEY, C., BASON, P., DIN, M., Jones, H., Lewin, R., Rowe, H., Shutt, M., Stevens, B. (2011). Using narratives to improve staff morale in large organisations. In: Proceedings of the Society for Research into Higher Education Annual Conference. Newport, SRHE. (5 pages)
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BOEHM, C. (2011). The Box-Of-Chocolate Phenonema. In: Proceedings of the 11th Global Conference on Business & Economics, Manchester. (15 pages)
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BOEHM, C. (2010). Creating Creative Processes Workshop. In: Proceedings of the International Computer Music Conference, New York: ICMA. (4 pages)
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BOEHM, C. (2009). 2084-Brave Creative World: Creativity in the Computer Music Curriculum. ICMC. Montreal, ICMA. (pp. 129 - 136, 8 pages) http://eprints.staffs.ac.uk/3192/
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BOEHM, C. (2009). Creating Creative Processes: A workshop demonstrating a methodological approach between the Sciences and the Arts. In; Cognition and Creativity. Proceedings of the ACM Conference, Berkley:ACM (8 pages)
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BOEHM, C. (2008). Weeds in the Cracks, Interdisciplinarity and Music Technology in Higher Education. In: Proceedings of the International Computer Music Conference, Belfast: ICMA. (ISBN 0-9713192-6-X. 8 pages)
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BOEHM, C. (2008). Creating Creative Processes. In: Higher Education Academy Annual Conference - Transforming the student experience. Harrogate. (4 pages)
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BOEHM, C. (2008). Creative Processes between Arts and Science. In: Culture, Creativity, Interaction. Proceedings of the Conference for Human Computer Interaction., Liverpool: HCI. (4 pages) http://eprints.staffs.ac.uk/3193/
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BOEHM, C. (2008). The discipline that never was. Journal for Music, Technology and Education, Vol 1, 2008 (15 pages, Journal Article)
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BOEHM, C. (2007). The search for the temporal grail? Reflections on notation, control and digital music representations. In: Current Issues in Music. (ISSN: 1447 – 7939. 8 pages, Journal Article)
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BOEHM, C. (2006). No such thing as a Music Technologist? An educational landscape of 'Music Technology' in Britain. In: Conference Proceedings of the International Conference for Music Technology Education, Leeds: LIMTEC. (8 pages)
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BOEHM, C. (2006). Betweening - Mapping an Educational Landscape. Part1: Quantitative Studies into 'Music Technology' degrees in Britain using UCAS data. In: Digital Resources in the Humanities and Arts, Dartington, DRHA. (8 pages)
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BOEHM, C. (2006). … Or does it actually tell time? Time-related methodological directions for music information systems. In: Proceedings of the 2006 Symposium on Systems Research in the Arts, Proceedings of the 18th Annual Conference on Systems Research, Informatics, and Cybernetics, Baden-Baden: ACSRIC. (5 pages)
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BOEHM, C. (2006). Staying in-between. 'Music Technology' in Higher Education. In: Digital Music Research Network (DMRN). Roadmap Launch. London.
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BOEHM, C. (2005). The thing about the quotes: 'Music Technology' degrees in Britain. In: Proceedings of the International Computer Music Conference, New Orleans: ICMA. (8 pages)
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BOEHM, C. (2005). Music Technology in Higher Education. in McMahon, F. and Claes, T. Probing the Boundaries of Higher Education. Oxford: Inter-disciplinary Press. Vol. 12 The Idea of Education. (ISBN 1-904710-11-5. 12 pages, Chapter)
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BOEHM, C. (2002). Opportunities and Challenges. In: International Computer Music Conference, Stockholm, ICMA. (ISBN 91-89262-04-2. 8 pages)
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BOEHM, C., BAILEY, N., et al. (2002). OPENDRAMA - Networking Opera. In; Proceedings of the International Computer Music Conference, Gothenburgh: ICMA. (ISBN 91-89262-04-2. 4 pages)
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BOEHM, C., MACLELLAN, D. (2001). MuTaTeD’ll A System for Music Information Retrieval of Encoded Music, Library and Information Commission Research Report 104 RE/101, London, Resource: The Council for Museums, Archives and Libraries, (ISBN 1-902394-58-5, ISSN 1466-2949. Book)
DE JONG, K., BOEHM, C. et al. (2001). Music Web Authoring Guide - A Guide for Users of MusicWeb Applications. Glasgow: University of Glasgow. (ISBN 0 85261 736 4. Book)
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BOEHM, C. and FELLS, N. (2001). Studio Report of the Centre for Music Technology. In: Proceedings of the International Computer Music Conference, Cuba: ICMA. (ISBN 0-9713192-0-0. 4 pages)
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PATTERSON, J. and BOEHM, C. (2001). CIRCUS for Beginners. In: C. BOEHM, SCHUTER, H., GARCIA, D. eds., CIRCUS 2001 - New Synergies in Digital Creativity. Proceedings of the Conference for Content Integrated Research in Creative User Systems. Glasgow: University of Glasgow, pp. 182-193. (ISBN 0 8 526 1746 1. pp. 182-193, 14 pages) http://eprints.staffs.ac.uk/3194/
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DONACHY, P., BOEHM, C., ARNOLD, S., DE JONG, K. (2001). MusicWeb Connect: A European Project for creating web-based Tools and Resources for Music Education. In: C. BOEHM, SCHUTER, H., GARCIA, D. eds., CIRCUS 2001 - New Synergies in Digital Creativity. Proceedings of the Conference for Content Integrated Research in Creative User Systems, Glasgow: University of Glasgow, pp. 3 pages. 72-75. (ISBN 0 8 526 1746 1 3 pages)
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BOEHM, C. (2001). Between Technology and Creativity, Challenges and Opportunities for Music Technology in Higher Education. In: C. BOEHM,
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SCHUTER, H., GARCIA, D. eds., CIRCUS 2001 - New Synergies in Digital Creativity. Proceedings of the Conference for Content Integrated Research in Creative User Systems, Glasgow: University of Glasgow, pp.55-72. (ISBN 0 8 526 1746 1. 16 pages)
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BOEHM, C. and MACLELLAN, D. (2000). Music tagging type definitions, systems for music representation and retrieval. Proceedings of the 26th Euromicro Conference, Vol. 02. IEEE, pp..2340-2347. IEEE Computer Society. doi:10.1109/EURMIC.2000.874500. ISBN 0-7695-0780-8. 8 pages, Journal Article) http://eprints.staffs.ac.uk/3195/
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BOEHM, C. and MACLELLAN, D. (2000). MuTaTeD’ll A System for Music Information Retrieval of Encoded Music. In: Proceedings of the International Symposium on Music Information Retrieval, Plymouth, Massachusetts: ISMIR. Retrieved from http://www.informatik.uni-trier.de/~ley/db/conf/ismir/ismir2000.html (4 pages)
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BOEHM, C. and MACLELLAN, D. (2000). Music Tagging Type Definitions, Systems for Music Representation and Retrieval. In: Proceedings for International Computer Music Conference, Berlin: ICMA, p. 8 pages. (ISBN 0-9667927-2-6. 8 pages)
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BOEHM, C. (1999). The Metadata Bear – Bearing the Weight of Accessibility. Journal of Educational Media, 24 (3) pp. 177-189. ( ISSN 1358-1651. 12 pages, Journal Article) http://eprints.staffs.ac.uk/3196/
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BOEHM, C. and ARNOLD, S. (1999). Serving Time Base Media in the Performing Arts. In: Proceedings of the International Computer Music Conference, Bejing: ICMA, (ISSN 0-9667927-1-8. 8 pages)
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DE JONG, K. and BOEHM, C., MusicWeb Den Haag - Developing Tools for Higher Music Education, using Wide Area Networks and Hypermedia Technology. In: Proceedings of the International Computer Music Conference, Banf: ICMA, (ISBN 0-9667927-0-X. 4 pages) http://eprints.staffs.ac.uk/3197/
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MALLOCH, S., BOEHM, C., DUFFY, C., Owen, C., Arnold, S., Pearson, T. (1998). PADS - an Online Digital Resource Library. Lecture Notes in Computer Science, Vol. 1513. Springer, pp. 351-266. ( ISBN 3-540-65101-2. 15 pages, Book Section) ECDL, 1513, 351-366. doi:10.1007/3-540-49653-X_21.
http://www.informatik.uni-trier.de/~ley/db/conf/ercimdl/ercimdl98.html
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MALLOCH, S., BOEHM, C., DUFFY, C., OWEN, C., ARNOLD, S. (1998). The Performing Arts Data Service: Imaginations/Universities Network Pilot Project. Digital Convergence: the future of the internet and the WWW, Conference Proceedings of the British Computer Society, Bradford: BCS (20 pages, Journal Article)
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BOEHM, C., MALLOCH, S., DUFFY, C. (1998). Performing Arts Data Service. Top Paper Award,. In: Association for the Advancement of Computing in Education. Proceedings of WebNet98, Orlando: AACE, (ISBN 1-880094-31-2. 8 pages.) Retrieved from http://www.informatik.uni-trier.de/~ley/db/conf/webnet/webnet1998.html http://eprints.staffs.ac.uk/3198/
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HEMPEL, C. and BOEHM, C. (1997). Neue Kommunikations- und Informationstechnologien für den Musikunterricht. In: T. HEMKER and MÜLLENSIEFEN, D. eds., Medien - Musik - Mensch. Neue Medien und Musikwissenschaft, Hamburg: Bockel Verlag, pp. 91-99. (ISBN 3-928770-95-0. 8 pages, Chapter)
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BOEHM, C., DE JONG, K., HEMPEL, C. (1997). MusicWeb. In: Proceedings of the International Computer Music Conference, Thessaloniki: ICMA. (ISBN 0-9667927-3-4. 8 pages) http://eprints.staffs.ac.uk/3199/
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BOEHM, C. (1996). New Information and Communication Technologies for the music classroom. Teaching on the Web. In: Proceedings of the 5th International World Wide Web Conference, Paris: (4 pages)
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BOEHM, C., HEMPEL, C., DE JONG, K. (1996). MusicWeb. New Information and Communication Technologies for the music classroom. In: Proceedings of the International Computer Music Conference, Hong Kong: ICMA, (ISBN 0-9667927-4-2. 4 pages)
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BOEHM, C. (1996). Automated Music. Interdisciplinary Aspects of a developmental History: Middle Ages and Renaissance. In: Proceedings of the International Computer Music Conference. Hong Kong:ICMA. (ISBN 0-9667927-4-2. 4 pages)